EARLY MAY 2026
See These by May 9th!
As you know, we’re always looking at art. Below are some additional exhibitions that we urge you find the time to see. They are really special!
Suzanne and the SRFA Team
Byron Kim: A Little Deepness
James Cohan Gallery
48 Walker Street
Closing May 9, 2026
Installation view: Byron Kim: A Little Deepness, James Cohan Gallery
A Little Deepness brings together early large-scale skyscapes with an entire year of Kim’s landmark ongoing Sunday Paintings series. Together, these works celebrate a lifelong dedication to the close observation of the natural world, offering an intimate and expansive portrait of an artist for whom abstraction has long expressed the interconnectivity of the universe.
Sunday Painting (1/14/24), 2024, Acrylic and pencil on panel, 14 x 14 inches
Kim’s paintings occupy a territory between realism and minimalism, between romanticism and conceptualism—closer in spirit to Ad Reinhardt, Mark Rothko, and Agnes Martin than to landscape tradition, yet thoroughly grounded in specific places and moments.
A slash of Blue / A sweep of Gray
James Cohan Gallery
52 Walker Street
Closing May 9, 2026
Installation view: A slash of Blue / A sweep of Gray, James Cohan Gallery
Conceived as a companion to Byron Kim’s solo exhibition at 48 Walker Street, A slash of Blue / A sweep of Gray traces the enduring influence of the sky, clouds, and atmosphere on artists’ practices from the early twentieth century to the present day. Moving across generations and mediums, the exhibition considers how artists have looked upward to grapple with perception, time, emotion, and the sublime—treating the sky not merely as subject matter but as a site of observation, abstraction, and reflection.
In dialogue with Kim’s sustained engagement with color, light, and daily variation, A slash of Blue / A sweep of Gray situates contemporary approaches within a longer history of artists responding to the ever-shifting conditions of the atmosphere. Works range from intimate plein air paintings, in which the scale of the canvas heightens the personal, immediate quality of the encounter, to expansive explorations of the sky as a field for abstraction and formal inquiry.
Left: Sylvia Plimack Mangold, Winter Maple, 2023, Oil on linen 45 x 50 inches; Right: Charles Burchfield, Jaws of the World, 1920, Watercolor, gouache, pencil, chalk, and charcoal on joined paper, mounted on board, 29 5/8 x 29 1/2 inches
Installation view: grouping of small Lois Dodd paintings
Ficre Ghebreyesus: Color is Supreme
Galerie Lelong
528 West 26th Street
Closing May 9, 2026
Installation view: Ficre Ghebreyesus: Color is Supreme, Galerie Lelong
Titled after an homage to the John Coltrane album A Love Supreme written by Ghebreyesus in his personal papers, the exhibition highlights Ghebreyesus’s deft handling of vibrant color in his often-abstract compositions. Drawing from recent discoveries in the artist’s archive by his son Solomon Ghebreyesus, the exhibition presents a selection of photographs and ephemera to the public for the first time, revealing common subjects and compositions found across media. A polymath in the truest sense of the word, Ghebreyesus operated his family’s well-loved Eritrean restaurant in New Haven, excelled in painting at the Yale School of Art, and maintained a connection to the fight for Eritrean independence as an activist in New York, all the while cultivating a rich inner life across art history, the mastery of seven languages, and the development of new poetry, music, and recipes.
Teasing out connections across Ghebreyesus’s art and life, Color is Supreme seeks to paint a holistic portrait of the artist.
Untitled, c. 2000-02, Acrylic on canvas, 56 x 56 inches, © The Estate of Ficre Ghebreyesus, Courtesy Galerie Lelong
Installation view of notes, sketches for paintings and books influencing the artist.
APRIL 2026
“Creativity takes courage.” - Henri Matisse
As spring fights to come into bloom, we too are stretching our bodies to shed winter’s layers. We invite you to enjoy these exhibitions that capture the figure in moments of movement and repose. Please enjoy!
Suzanne and the SRFA Team
Matisse: The Pursuit of Harmony
Acquavella Galleries, New York
April 9 - May 22, 2026
Acquavella Galleries is pleased to present Matisse: The Pursuit of Harmony, an exhibition featuring fifty paintings, works on paper, and sculpture by Henri Matisse on loan from museums, foundations, and private collections.
On view from April 9 through May 22, 2026, the exhibition traces Matisse’s investigation of form in two and three dimensions, from paintings and sculptures made at the start of the 20th century through the next five decades of his career. Although Acquavella has dealt in exceptional works by Matisse for over sixty years, this marks the gallery’s first exhibition devoted to the French artist since 1973.
You can follow the Matisse path to Paris to the major retrospective Matisse: 1941 - 1954 at the Grand Palais from March 24 - July 26, 2026.
If You Go Into the Woods Today...
Spoof.Project, New York
April 12 - May 24, 2026
Spoof.Project is pleased to present its inaugural exhibition: If You Go Into the Woods Today..., a group exhibition of figurative painting and sculpture that draws from folklore, fantasies and fairytales. Borrowing its title from the familiar refrain of Henry Hall’s “The Teddy Bears’ Picnic,” the exhibition transforms a nostalgic phrase into a reference point for narrative painting.
The artists, Lauren Sanderfer, Noah Trapolino, and Matthew Mitchell, play with figuration in the context and form of myth in a sensual, provocative way that flirts with but resists narration. Classical tropes of fragments from a large story, an older moment - a representation, a synecdoche even, of the current cultural relationship with the ancient love affair between visual art and narration.
Joan Semmel: Continuities
Alexander Gray Associates, New York
April 17 - May 30, 2026
“I never thought about being representational as being important, but I thought about the figure as an object—as an icon rather than as representation of any reality.” - Joan Semmel
Alexander Gray Associates and Xavier Hufkens present Continuities, an exhibition of recent paintings by Joan Semmel (b. 1932). Conceived with the artist as a single presentation across New York and Brussels, the exhibition’s structure mirrors the paintings’ own logic, playing with doubling and immediacy to extend the act of seeing across continents.
Semmel paints her own body as an authored image—internalized rather than observed. In her nineties, that act carries weight. While the aging female form is routinely edited from view, these canvases place it squarely at the center, without apology or disguise. Her compositions do not treat the body as symbol, memory, or ideal. Works reject any impulse to memorialize or prettify.
Saturated hues move across flesh in broad passages; contours blur and reassert themselves. Bold strokes and thin washes keep figure and ground in continual exchange as Semmel’s body emerges from and dissolves into its surroundings.
MARCH 2026
“Art is not a thing; it is a way.” - Elbert Hubbard
As the veil of winter is finally lifting, we wanted to share exhibitions that wrap up winter with beauty and power as we look at the work of Helene Schjerfbeck and Wifredo Lam, and open the doors to the emerging colors of spring with a studio visit to the colors and forms of artist Almond Zigmund and the contagious joy of the works by Pat Oleszko. We hope you get to see the shows before they close. Enjoy!
Seeing Silence: The Paintings of Helene Schjerfbeck
The Metropolitan Museum of Art
Through April 5
Beloved in Nordic countries for her highly original style, Finnish painter Helene Schjerfbeck (1862–1946) is relatively unknown to the rest of the world. Overcoming immense personal struggles and working in a remote location for decades, she produced a powerful body of work through sheer force of will. This exhibition affirms her rightful place in the story of modern art.
Wifredo Lam: When I Don’t Sleep, I Dream
MoMA
Through April 11
Wilfredo Lam’s paintings expanded the horizons of modernism by creating a meaningful space for the beauty and depth of Black diasporic culture. Born in Cuba at the start of the 20th century, Lam forged his political convictions and commitment to modern painting in war-torn Europe in the 1930s. His exile and return to the Caribbean after 18 years abroad drove him to radically reimagine his artistic project through Afro-Caribbean histories. Wifredo Lam: When I Don’t Sleep, I Dream is the first retrospective in the United States to feature the full trajectory of Lam’s remarkable vision, inviting us to see the world anew.
SRFA IN THE STUDIO
Almond Zigmund
East Hampton, NY
We have known Almond and her wonderful work for many years and it was a pleasure to finally visit her in her East Hampton studio.
You will see the source of her ideas that manifest in colorful energetic forms. As she discussed her work, she talked about the way her forms are influenced by classical sculptures - legs, torso and head - reading and activating the real and illusioned space she creates.
Pat Oleszko: Fool Disclosure
SculptureCenter
Through April 27
SculptureCenter presents the first solo exhibition in a New York City institution in over 35 years of Pat Oleszko. Rooted in humor, sharp social commentary, and the defiance of all forms of authority, Oleszko's sculptures lend themselves to raucous performances that use linguistic wit to address concerns about the state of the world. As her work developed, Oleszko devised some defining strategies: using her body, which led to costumes, and using air, which produced large inflatable works. In both cases, her art “walked out the door,” in her words, “using all the world as a stooge.”
UPCOMING
Marcel Duchamp
MoMA
Apr 12–Aug 22, 2026
Featuring some 300 artworks, this exhibition marks the first retrospective of the artist’s work in the United States since 1973. Scholarship mining the artist’s famously enigmatic work has flourished in the intervening half-century—as have myths and misconceptions. This exhibition offers a sweeping account of Duchamp’s multifaceted career across all mediums from 1900 to 1968, offering today’s audience the first opportunity to view the full breadth of his creative output.
FEBRUARY 2026
“Color is a power which directly influences the soul.” - Wassily Kandinsky
As the weather is fighting hard to bring warmth to our days, we wanted to share several current one-person exhibitions in Chelsea, in which each artist delights us with the vibrancy, radiance, illumination and the warmth of their powerful use of color to convey their unique message. You can bathe in the auras created by Dan Flavin and Rob Pruitt, feel the tension between the colorful forms in the works of Odili Donald Odita or get lost in the elegant layers of color and textures in the works of William T. Williams. The shows are within a few short blocks from each other and together offer one of the most satisfying, brief and spectacular viewing experiences we have had in a while. Enjoy.
DAN FLAVIN, Grids
David Zwirner, NYC
January 15 – February 21, 2026
An exhibition of works by Dan Flavin featuring the artist’s grids, a key body of work that he began in 1976. The first focused examination of this form, this presentation will include several re-creations of the way Flavin installed the grids in significant exhibitions during his lifetime, and will feature loans from important public collections as well as the Estate of Dan Flavin.
ODILI DONALD ODITA, Shadowland
David Kordansky Gallery, NYC
January 15 – February 28, 2026
Shadowland is an exhibition of paintings, photo collages, and a mural by Odili Donald Odita as well as two works from the 1970s by the artist’s father, Dr. Okechukwu Emmanuel Odita (b. 1936, d. 2025). This exhibition considers three distinct bodies of work—current, past, and inherited—as integral parts of a creative whole, one that not only reveals the evolution of Odita’s formal interests, but also connects his practice as a Nigerian American artist to familial and geopolitical legacies.
ROB PRUITT
303 Gallery, NYC
January 15 – March 7, 2026
The third solo exhibition at 303 Gallery of new work by Rob Pruitt. The exhibition is comprised of time-based works from the artist's ongoing investigations of the spectral gradient. Paintings and works on paper, scaled from intimate to grand, capture moments, hours, days, months, and years. Each day of the show will have a different title. It will open as “Skyscapes,” and on each subsequent day, Pruitt will improvise and announce the next title.
WILLIAM T. WILLIAMS, Word of Eye
Michael Rosenfeld Gallery, NYC
February 7–April 4, 2026
This exhibition includes eleven paintings created between 2024 and 2025 whose luminous surfaces shift according to the positioning of the viewer, demanding sustained looking and insisting on a phenomenological viewing experience. Simultaneously a continuation of the artist’s decades-long engagement with surface and a deliberate broadening of his palette, these new works show Williams pushing the boundaries of abstraction, furthering a dialogue with the entirety of his oeuvre, and enacting an endless exploration of the possibilities of his medium.
JANUARY 2026
"There is no winter without snow, no spring without sunshine, and no happiness without companions."
- Korean Proverb
For SRFA, art always has the magic of warming our hearts and stirring our souls. As we each seek to find warmth during this unusually harsh winter, SRFA wanted to share several current exhibitions which capture the beauty of the winter landscape and virtually invite you into the warmth of the studios of two artists we visited late last year.
We hope the unique visions of these and of all artists will serve as a reminder of the value of creative expression and of our unique voices as well.
DC MOORE
New York, NY
NIGHT Group Exhibition
January 15 – February 7, 2026
BOOKSTEIN PROJECTS
New York, NY
Dave Walsh: Viewshed
January 15 – February 27, 2026
BOOKSTEIN PROJECTS
New York, NY
Ron Milewicz: Beside Still Waters
January 15 – February 27, 2026
SRFA IN THE STUDIO
Ellen Harvey
Brooklyn, NY
SRFA IN THE STUDIO
Molly Herman
Brooklyn, NY